My presentation at RE:PUBLICA13 in Berlin 7th of may.
If, as Thomas and Cook state, ‘visual representations and digital visualization techniques take advantage of the human eye’s broad bandwidth pathway into the mind to allow users to see, explore, and understand large amounts of information at once’ what are the consequences of a technology that does not pretend anymore to “simulate” reality or its visualization but now “naturally” creates the way we see the world and experience it?
What will follow the inevitable technological peak and demise of old communication technologies such as the mobile and the screen? If the mobile embodied the newly acquired freedom from the constrained spaces of earlier mediated communications. And the screen, the frame, the partition that for a long time both connected and divided reality from its representation. The “SixthSense” and “Project Glass” both represent the early steps in the final technological, cognitive and cultural evolution that will finally embrace media transparency and invisibility (Project Glass), and welcome media anthropomorphization (SixthSense) in the illusion of a new “unmediated” and “augmented” life. Mobiles and the screen will not disappear, at first, but new “seamless” and “immersive” technological evolutions will acquire social, cultural and market dominance while cannibalizing previous technological milestones very much like television did with photography, radio and cinema, and the computer did with them all.
and I quote: “Social Privacy is the innovative background idea here. A form of privacy which is not an obstacle to sharing, but rather one that goes hand in hand with the creation of social relations and communications. It’s not a clear cut block of personal data, but a diverse kind of privacy, where users are in control of what they share with who, under which circumstances and in which situations. These services are evolutions of our online social spheres moving beyond the idea of the social medium to a more advanced idea about digital media as tools for human social relations. And they are actually moving in on old giants of social networking such as Facebook stealing their market shares. Privacy is in fact innovation. The lack of it can dampen creativity and suppress freedom of speech (and thus thought). And more of it may entice consumers to pay more and choose a specific service studies show. The only reason the default is public is that we were not innovative enough to think privacy by design from the beginning empowering users with a choice.
link to the full article HERE
My keynote speech at the forthcoming “Insafe” (Internet Safety) meeting in Budapest, October 2012. The European Union’s Insafe network comprises 27 countries that regularly meet as part of The European Commission “Safer Internet Program”. The title of the key-note is:
Understanding the Future of Augmented Humans.Technologies have traditionally been approached as ancillary tools in the history of mankind. Means used to master nature and our environment, or tools used to enhance creativity and communication. This once clear distinction between us humans, the technologies we use and the environments we live in, have been gradually eroding in the past few decades. What we see today cannot be characterised anymore as further evolution in a long process of technological development. Current technological evolutions are better understood as first steps in a complex redefinition of what it means to be human. Individuals, organisations, governments and industries, just like children, are evolving, changing, learning, internalising technology and socialising with an ever-changing reality where the distinction between who we are and what technology allows us to be, is becoming more and more blurred. To understand this evolution requires good judgement, a sense of history, and above all a sense of purpose.
Lapenta F. 2012, “Geomedia-Based Methods and Visual Research. Exploring the Theoretical Tenets of the Localization and Visualization of Mediated Social Relations with Direct Visualization Techniques” in “Advances in Visual Methodologies” Ed Sarah Pink 2012, SAGE
In this chapter I discuss how contemporary shift towards patterns of relocalization of mediated interactions and the emergence of new heterogeneous time and space dimensions, is constructed by and intertwined with new location-based communications technologies. In doing so, I examine how these shifts imply new contexts; new topics; and themes of investigation in, and subsequently advances in, research methodologies for contemporary visual researchers. My central focus is on digital mapping and the electronic and technological bases through which these visualization systems are engaged . I suggest that these new electronic architectures and visualization software and applications frame a context where both new topics and techniques of (visual) sociological research are emerging.
The book, edited by Sarah PInk, explores how new practice-based, theoretical and methodological engagements are developing and emerging in research practice; the impact new approaches are having on the types of knowledge visual research produces and critiques; the ways visual research intersect with new media; and the implications of this for social and cultural research, scholarship and intervention.
order here AMAZON LINK or here SAGE
An highly optimistic and acritical view on the internet of things and a more realistic (and problematic) vision:
54052351-Lapenta-2011-Geomedia-on-Location-Based-MediaI am co-organizing the “Re-visualizing the City” international conference. An in depth look at the latest trends and visions of the smart cities of the future. Please redistribute to your departments and friends: Call for papers “Re-Visualizing the City”, 9th to 11th July 2012, St. Francis College, Brooklyn, New York
link to ivsacall2012 with full details:
CALL FOR PAPERS
Douglas Rushkoff organized one of the most vibrant and interesting conferences I have attended in a long time. Some of the key players and thinkers of this exhilarant digital age were here in New York discussing all things digital. There was a real sense of empowerment and purpose and sheer talent all over the amazing venue were the conference was held. I am so looking forward to attend edition 2.
Visual Studies: Volume 26 Issue 1
Special Issue:Locative Media and the Digital Visualisation of Space, Place and Information
This new issue contains the following articles:
Guest Editor’s Introduction
Locative media and the digital visualisation of space, place and information, Pages 1 – 3
Author: Francesco Lapenta ARTICLE HERE
Sensory digital photography: re-thinking ‘moving’ and the image, Pages 4 – 13
Author: Sarah Pink
Geomedia: on location-based media, the changing status of collective image production and the emergence of social navigation systems, Pages 14 – 24
Author: Francesco Lapenta ARTICLE HERE
The algorithmic turn: photosynth, augmented reality and the changing implications of the image, Pages 25 – 35
Author: William Uricchio
>What is visualisation? Pages 36 – 49
Author: Lev Manovich
Is music becoming more visual? Online video content in the music industry, Pages 50 – 61
Author: Fabian Holt
The lie of the land: Mark Monmonier on maps, technology and social change, Pages 62 – 70
Author: Rob Walker
well as I have described again and again the evolution of Geomedia is fast paced nowadays. Google is the first to offer services that finetune your research results based on your current location. This, as I repeat once again, is just the tip of the iceberg of what is going to happen once Geomedia get in full swing. stay tuned for more.
Go read and SIGN the Public Domain Manifesto.
“After decades of measures that have drastically reduced the public domain, typically by extending the terms of protection, it is time to strongly reaffirm how much our societies and economies rely on a vibrant and ever expanding public domain. The role of the public domain, in fact, already crucial in the past, it is even more important today, as the Internet and digital technologies enable us to access, use and re-distribute culture with an ease and a power unforeseeable even just a generation ago. The Public Domain Manifesto aims at reminding citizens and policy-makers of a common wealth that, since it belongs to all, it is often defended by no-one. In a time where we for the first time in history have the tools to enable direct access to most of our shared culture and knowledge it is important that policy makers and citizens strengthen the legal concept that enables free and unrestricted access and reuse.” (http://publicdomainmanifesto.org)
As I described a long time ago in the GeoMedia study (hopefully soon to be published in an article) companies that have invested in Geomedia applications, such as google maps and street view will soon see and invest in the commercial potential of their administrated Virtual Space. The question is are we going to see a fight over representations of public space. Landmark monuments would offer great location for virtual ads. Think the statue of Liberty or the Eiffel tower with a big “Apple” or “Coca Cola” ad rotating over them. We are only witnessing the beginning. Things are going to get more interesting real soon when companies institutions and private citizens will realize the potential use of their virtually represented spaces.
LINK to the abstract of my article on Geomedia: here
LINK to articles on this story: here
Well this is major news today! Google has stopped its collaboration with chinese authorities and stopped the self censorship imposed by the chinese government to operate in China. This follows what Google described as vicious hackers´attacks on some of it´s chinese based Gmail accounts (owned by chinese human rights activists). The impact of this decision will be huge. I can only commend their response.
This is the link to the official Google post describing the events and the action taken.
Pranav Mistry closes the gap between real and virtual worlds. Things are really getting interesting.
A really noteworthy invention from the mind of the young and talented
PS. Why is Maes presenting the “SIxthsense” and not the designer himself?
The other day the BBC reported on a new start up company that since March 2009 offers 3D imaging technology and 3D videos of live events for users to interactively enjoy. The company called Yellowbird touts this new technology that will change the way we experience events and videos. Almost two yeas ago I already reported on another company Immersivemedia the first to offer this same technology (pictured on the left) and 3D videos. Despite Yellowbird being still in development and rather rudimentary in comparison to Immersivemedia technologies (long available to the military and the public) both companies and the new found public and media attention are a sign of the new momentum that 3D imaging is gaining. Once again I still think that the best of these new technologies and applications has still to come. The technology to support these applications is already here, they just need to be refined and rethought outside the box. Watch demos here (Immersivevideo) and here (Yellowbird). My original 2008 article is here
endgadget. I know we tried it before and it did not work. But I am confident that things will be different this time, so look out for 3D technologies coming home soon.
A good article on incoming 3D technology here at