This 24th of November. Forthcoming article in Pink, S. (ed) Advances in Visual Methodology. London: Sage March 2012.
Few weeks ago in New York I was interviewed by a New York Times journalist (article here) on a subject for which I have a great deal of passion, and KNowledge, hi end audio reproduction and specifically analogue generation hi-fi, tube amplification and high-efficiency speakers, which I design and build since I was 14. The interview lasted a while and we talked about audio technology evolution, recurrences in technological evolution paths, sound quality of tube vs transistor vs digital amplification, speakers´ designs and audio reproduction goals, and of course tubes (or valves). Apparently that discussion had no place in the article so my contribution has been reduced to one sentence ““Got any Amperex Bugle Boy 12AX7’s?, rather than being disappointed about it, I laughed with a friend of mine whom shares a similar interest, who commented, man if that was a movie, you would be the nerd with the greatest line in the scene, and I am happy with that .
Douglas Rushkoff organized one of the most vibrant and interesting conferences I have attended in a long time. Some of the key players and thinkers of this exhilarant digital age were here in New York discussing all things digital. There was a real sense of empowerment and purpose and sheer talent all over the amazing venue were the conference was held. I am so looking forward to attend edition 2.
Well the time has come, now let´s all jump boat and move to the new Google SNS … or not.
referrer: Maurizio Lapenta
This new issue contains the following articles:
Guest Editor’s Introduction
Locative media and the digital visualisation of space, place and information, Pages 1 – 3
Author: Francesco Lapenta ARTICLE HERE
Sensory digital photography: re-thinking ‘moving’ and the image, Pages 4 – 13
Author: Sarah Pink
>What is visualisation? Pages 36 – 49
Author: Lev Manovich
Finally after over a year in the making with contributions by William Uricchio, Lev Manovich, Sarah Pink, Fabian Holt, Rob Walker and yours truly an exploration of the fast changing scenarios of location based applications and related information and world representations changing ontologies and epistemologies
Well the swedes are at it again, the new service has great potential, and seems to offer alternative economies and channels for digital content consumers and producers.
Date: Friday, November 12, 2010
Time: 11:30 am – 13:00 pm
Venue: The Great Room, 19 University Place
Topic: Geomedia, Mapping the World – On the Changing Status of Collective Image Production and the Emergence of Social Navigation Systems
Speaker: Francesco Lapenta, Associate Professor, Roskilde University, Denmark
Geomedia, Mapping the World – On the Changing Status of Collective Image Production, location based media and the Emergence of Social Navigation Systems
The increased computational power of portable devices such as smart phones and laptops, and their integration with widely available global positioning systems are opening the way for a new range of location based applications that integrate and coordinate users´ mediated interactions and data exchanges with other users´ live geographical positions. I call these technologies Geomedia (Lapenta 2008, 2010). Geomedia are not new media per se, but platforms that simply merge existing electronic media + the Internet + location based technologies in a new mode of digital composite imaging, data association and socially maintained data exchange and communication.
This information’ , shared on navigable live virtual maps such as Google Maps or Google Latitude, Foursquare or Gowalla, describes the increasing user’s interest in using the Web to create, assemble, and disseminate personal information (in the form of images- sounds-and text) to create shared experiences of individually and socially relevant spaces and events. This form of geography, and the new virtual maps in which this information is visually blurred and digitally merged, represent the emergence of a new paradigm in the visualization of space. They also create a new economy for the virtual spaces they create and the information that are exchanged in these new spaces. In this lecture I will engage in an elaboration of the fundamental social, economic and perceptual shifts that are being operated today by these new location based technologies and software applications and develop a theoretical analysis of the ontological and epistemological shifts that characterize their contemporary evolution, patterns of production and exchange, and the unique form of geolocational digital re-aggregation of which digital images are now part of.
In the most dramatic tweet of its history wikileaks invisible soldiers have sent a cryptic command to its legions of hackers around the world. Now, it might be a little dramatic (or an onion?) and all, but there is much to reflect about the actions and the outcomes of this one controversial website. Much more is at stake than we can actually superficially see. Four articles move the discussion further showing that both parties have reasons to be worried. It did take some time in history to assert the balance between right to inform and right to protect, this balance is at stake now once again and the outcome will have major effects on our rights and our lives. The problem is that they are both right and wrong at the same time. This really should be part of a more extensive and public debate.
Colorado Springs Independent: http://www.csindy.com/IndyBlog/archives/2010/10/20/battleground-internet
ThE GUardian http://www.guardian.co.uk/world/iraq-war-logs
and this article by Nadim Kobeissi http://thelinknewspaper.ca/article/517.
Well I have recently been the victim of my first online fraud/scam. As it happens in these cases you quickly act and learn. Now they found out that the scam originated from Kenya and might still be in possession of personal data. Although all related data have been cancelled and a warning placed on them in case they try to use them, if anybody provides my personal data (credit card, passport, IDs) for any and whatsoever transaction always contact me on the email address provided on this web site.
“The reason old films are dying, especially films from after 1923, is because of copyright term extensions. Thousands of films are turning into vinegary dust because the cost of finding the copyright holder exceeds the money likely to be made restoring it. If the old films had been allowed to fall into the public domain, they could be preserved – the only costs involved would be the preservation and the preservationist could sell
It is a crime.” (shelbysuncle on youtube). Very well said.
This is the schedule of the conference, download: IVSA2010_final_schedule